Monday, August 07, 2017

Milestone Update

I'm a little behind here, but for those of you who have been asking me about Milestone Media and when it will be returning, here's an update (of sorts) from San Diego Comic Con 2017. Read it here.

Saturday, July 22, 2017

"Thirty Years Later" Now Open

"The Predator" is the 3-D cut paper piece I made for the "30 Years Later" show, celebrating the films of 1987, which is now on exhibit at Gallery 1988(West) through August 12, 2017. Visit in person, if you can.

Sunday, July 09, 2017

Tuesday, June 13, 2017

Mad Scientist #32

Issue #32 of Martin Arlt's excellent magazine, Mad Scientist is now available. It's a mere $8.00, including shipping, and can be ordered here, where you can also view the contents of this issue. I created a cut paper portrait of Boris Karloff in The Black Cat which can be found within this issue.

Thursday, May 25, 2017

Star Wars - The 40th Anniversary

The movie now known as Star Wars - Episode IV: A New Hope, turns forty years old today. Back when I saw it in 1977, it was just Star Wars. It feels like we were just celebrating it's 30th Anniversary, something I actually did with a month long examination of the film which you can scroll back through by visiting my posts from May, 2007.

Tuesday, May 16, 2017

The Grim Gallery Turns Six

My companion blog, The Grim Gallery, turns six years old today. If you have any interest in monsters, be sure to check it out.

Saturday, May 06, 2017

Derry, Maine - 1957

For the Stephen King show, now on exhibit at Gallery 1988 (West), I told myself I wasn't going to do anything related to It. My decision had nothing to do with my feelings for the book (it's one of my favorite King novels), but because I figured Pennywise would be getting a lot of exposure in the show. However, when this idea occurred to me I had to do it.

The tower in the background, which features prominently in the novel, is based on the Thomas Hill Standpipe in Bangor, ME, which is the actual bit of architecture that King used for the Drrry standpipe in the book. In fact, if you visit the actual site, you'll find that the entire location is pretty exact to how it's described. I took liberties with the setting though.

The boy in the piece is actually based on a photograph of Stephen King as a boy and seemed like the perfect trusting, innocent little boy unaware of the horrors of the world (or those he'd later create).

I did try to give Pennywise the silver clown suit he wears in the book, but it just didn't look right. I ended up going with dark blue because the blue connected to the boy's clothes, only much darker, giving them a relationship. I don't think I need to go into any of the other symbolism in the image. It isn't subtle. I'm actually really happy with how this one turned out.