Tuesday, August 23, 2011

My First Comic Books


In the most recent Ask Me Anything, Sean Cloran asked me "Do you remember the first comic book you ever read?"


I honestly don't.  I think I still have almost every comic book I've ever owned, though there hasn't been any real sense of organization since the late 1980s, before I began writing comic books professionally. 


Most likely the first comic book I ever read was a Disney title, or Turok, Son of Stone which was my favorite comic book series as a kid. I'm leaning towards a Disney title since I found this issue amongst my comic books:




This issue of Uncle Scrooge contains copyright dates of 1960 and 1964, which sets it before I was born and it was not something I bought as a back issue, or picked up at a garage sale, which means it probably fell into my hands via some relation or neighbor. 


I was definitely much more of a Dell/Gold Key and Whitman fan than Marvel or DC, and it was actually my interest in monsters and dinosaurs that led me to superheroes. My own comic book buying habit didn't begin in earnest until most likely 1973-1974, when I was about 7 years old since I have a number of comics from that time that I not only remember buying off the rotating rack at a local book store (long gone) but even remember what drew me to them.


I was still reading a bunch of Disney comics like Huey, Dewey and Louie Junior Woodchucks, Uncle Scrooge, Walt Disney's Comics and Stories and stuff like these: 










I was, and still am a big fan of the Disney comics, but these started to fall by the wayside during this period as other comics caught my eye. I continued buying Turok, Son of Stone, the Mighty Samson, and some other Gold Key titles regularly, though at this time it was highly unlikely that you'd be able to find two successive issues of any title, and many titles seemed to only exist in ads within the comics you could find. I started to be drawn to some titles published by Marvel, all of which featured a monster of some sort on the cover. 














At that point if it had anything resembling a horror element on the cover, I was interested, and wound up with pretty complete runs of most of the Marvel horror titles of the period. I'm still pretty fond of all the issues shown above, especially that Worlds Unknown. The "Black Destroyer" story by A.E. Van Vogt in any form remains one of my all time favorites. I'd love to make a movie adaptation some day. 


Even though I was watching the 60s Spider-Man animated series on television (as well as the barely animated shows featuring other Marvel characters) and Batman starring Adam West was my favorite tv series, the comic books that featured them failed to capture my interest until I saw these:





The Marvel Team-Up issue had such a frightening, lurid cover, and Moondog with his skull helmet and knife drew me in and also featured Brother Voodoo who I was already familiar with and Spider-Man who I knew from tv. I remember my parents trying to steer me away from this one onto something that looked gentler, but obviously I won out. 


The Batman issue I picked up because of the spooky, menacing figure of the Shadow. I'd never heard of the Shadow before but he fit my image of what a phantom was supposed to look like, and he was called the Shadow, so he had to be something I'd like, and he was. This comic led me to discovering episodes of the radio show on record and cassette at the library and reprints of the pulp magazine later. It also cemented my love of Batman leading me to pick up the next issue which was really three issues later, but it was the first new one I saw. 




This 100 page issue was like War and Peace to me at that age. It just seemed so thick and so full of content. I haven't seen it in decades, though I keep looking for it. It has origin stories for the giant penny and the robot dinosaur in the Batcave. I still remember the penny story vividly. My favorite bits were these short page or two long stories in the back. One was the various costumes of Catwoman including one with a realistic cat mask which I found to be pretty spooky and stared at quite a bit. The other was a "What if?" bit on what Bruce Wayne would have chosen for his superhero persona if it had been things other than a bat which inspired him to dress up outlandishly and fight crime. There was a suit of knight's armor as well as a scorpion and an owl, two costumes which I found to be far scarier than his Batman outfit. 


Finally from this period, I would discover the comic book series that would rank up there with Turok, Son of Stone as my very favorite, and a series that I bought as regularly as I could find it, and that was:




At the time Planet of the Apes was a phenomenon on a scale that would only be surpassed by the way Star Wars captured the popular imagination. As a kid, it never occurred to me that Kamandi was essentially a thinly disguised ripoff of the movie franchise. All I know is that cover screamed out to me to buy it like no comic book had ever before. I was completely sucked into this world of evolved talking animals who ruled over humans and between Kamandi and Mighty Samson, I discovered a love for post apocalyptic scenarios. 


If there is one comic book property that I could revive, Kamandi would be it. Feel free to barrage DC with letters requesting just that on my behalf. 


I don't think there are any shocking revelations to be found here. Looking at what my interests now and the kind of comic book stories I've been writing, it seems like a pretty straightforward progression.




       

Wednesday, August 10, 2011

Xombi Concept Art


My Xombi collaborator, the amazing artist Frazer Irving has started up a Tumblr account on which he's showing some of his lesser seen pieces of art including some of his preliminary sketches for Xombi's covers including these for Xombi #3. If you're interested in the creative process then it's definitely worth taking a look. Aside from preliminary sketches and unused art, Frazer also has some posts that show how he goes about creating his gorgeous digital art. Check it out here.

Monday, August 01, 2011

Pee-Wee Herman Art Available for Viewing


All of the art for the "I Know You Art, But What Am I?" Pee-Wee Herman Tribute Show at Gallery 1988 is now available for viewing and for purchase. You can see it on their website here. The "Dogtopus" seen above is one of the four pieces I did for the show.

Ask Me Anything #12




It's the first Monday of the month and time for the 12th edition of "Ask Me Anything." So, if you've ever had something you've wanted to ask me, wondered about an aspect of a particular project of mine, been curious about something I said, or did, now's your opportunity to obtain the answer you've been looking for.  

Head down to the comment section and post your question. I'll either post my answer in the comment section as well, or answer it in a special post all its own sometime later in the month.

Please take the time to view the previous questions so that we don't wind up with a lot of repetition. I've been asked a lot of good, thought provoking questions in the past as well as some really banal ones. all of which I tried to answer. You can see the previous questions by visiting Ask Me Anything  #1#2 ,  #3#4#5#6 , #7 , #8#9,  #10 and #11 .  Answers not found following the questions can be found in the archives section for each associated month.

Now ask away.


Friday, July 29, 2011

The Pee-Wee Herman Tribute Show Opens Tonight



For anyone in the Venice, CA/Los Angeles area, "I Know You Art, But What Am I" the Pee-Wee Herman themed show at Gallery 1988 Venice opens tonight. There will be a lot of great art on display. I have several pieces in the show, including this one. Details can be found at the Gallery 1988 website.


   

Wednesday, July 27, 2011

XOMBI #5 On Sale Today


Featuring my favorite cover of the series, Xombi #5 goes on sale today.

Here's the solicitation information:

Written by JOHN ROZUM; Art and cover by FRAZER IRVING


With the aid of new allies, David Kim and his companions prepare to infiltrate the Ninth Stronghold and attempt to wrest its control from Roland Finch. But Finch has other ideas, and he'll be more than prepared when they arrive!

  • DC Comics
  •  
  • 32pg.
  •  
  • Color
  •  
  • $2.99 US

This issue has new revelations, new monsters, and so much more.

You can read the first three pages by going here.


   

Monday, July 25, 2011

This Week at Gallery 1988


Opening Friday at Gallery 1988 Venice this Friday, July 29 and running through August 19, 2011 is "I Know You Art, But What Am I" the Pee-Wee Herman Tribute show. I have several pieces in the show, and am very excited to be a part of it. I only wish I could attend it in person.

If you follow Pee-Wee Herman on Twitter or Facebook then you may have already seen one of my contributions to the show which is already one of my most visited posts on this blog with thousands of viewers over just a couple of days. Thank you, Pee-Wee for the plug! The other pieces will be available for viewing on the Gallery 1988 website within a day or so of the show's opening.


At Gallery 1988 Melrose the current show "Crazy 4 Cult 5" will be closing this coming Saturday, July 30. I have one piece of art in the show based on George Romero's "Dawn of the Dead." This piece has sold. You can view all of the original art or prints from this show at the Gallery 1988 website.

"Crazy 4 Cult" is an annual event at Gallery 1988 and is incredibly popular. A book was also recently published which contains art from the first four shows.



       

Who's Reading Xombi?

 

Smart, Cool, Pretty women read Xombi as evidenced by the photo above (okay the photo only proves she's pretty, but I happen to know she's smart, cool, and has a wicked sense of humor too), and comments left in other posts, as do smart, handsome guys, discerning readers and writers such as Jeff Lemire whose excellent Vertigo comic Sweet Tooth is a series I recommend.

Who else?

In this Newsarama interview with Grant Morrison regarding his new book, Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human and comics in general, he singles out Xombi as one of the titles he's enjoying right now.

So impress a girl, a guy, or a writer and pick up a copy of Xombi today. Issue #5 will be available at a comic book retailer near you THIS Wednesday.


    

Wednesday, July 20, 2011

In Next Month's RUE MORGUE...



Rue Morgue issue #114, available in August and sporting a cover featuring poster art from the original version of Fright Night, also contains an article by Rue Morgue's "Blood in Four Colors" comic book reviewer, Pedro Cabezuelo on my current series, the critically acclaimed, Xombi.

Rue Morgue is an excellent magazine covering a wide range of horror subject matter from movies both contemporary and classic (to those not so classic), to books, comics, art, music, video games, toys and even places to visit for fans of the genre.

Tuesday, July 19, 2011

Static Shock #2



Here's the cover (I believe the final image will have different coloring) and solicitation information for Static Shock #2, published by DC Comics,  which goes on sale the first week in October.


Written by SCOTT McDANIEL and JOHN ROZUM; Art by SCOTT McDANIEL and ANDY OWENS; Cover by CHRIS BRUNNER
Static finds himself the target of dark forces as Virule and the Slate Gang unleash their deadly trap! Will Static's debut end before it has even started?
  • DC Universe
  •  
  • 32pg.
  •  
  • Color
  •  
  • $2.99 US
On Sale October 5, 2011

Xombi #5 - First Look


Xombi #5 doesn't go on sale until July 27, but kind soul that I am I thought I'd share with you the first page minus any text because it's such a beautiful piece of art by Frazer Irving and because it won't spoil anything for you when you have the whole issue in your hands. Feel free to speculate to your heart's content as to what might be going on here, but I suggest you simply take in how gorgeous the image is. You can click on it to make it bigger and save yourself from eye strain in the process.

Saturday, July 16, 2011

Pee-Wee's Playhouse


I was an adult when Pee-Wee's Playhouse aired but it had an enormous influence over me, and actually got me out of bed early on Saturday mornings (or maybe it was also because I had to get ready for work). It remains one of my all time favorite shows, and I'm a huge fan of Pee-Wee Herman, so I was overjoyed to be invited to participate in the "I Know You Art, But What Am I?" Pee-Wee Herman tribute show at Gallery 1988, Venice which opens at the end of the month.

Above is my main piece for the show, a 3-D cut paper collage titled "Why. Ms. Yvonne, I Do Declare That You Have Got the Biggest Hair." Honestly I could have done 100s of pieces for this show, but it's a group show and the Gallery might have banned me from future shows despite my enthusiasm.

I'd planned to be there for opening night, but other events have conspired to keep me away, so should Pee-Wee, or any other cast members appear, I won't be there to show photograph them with me and my art. I really wanted to meet Pterri, too.

Haunted Mansion Tribute Show Virtual Tour



As anyone who has been following this blog in recent weeks is probably aware, last month I took part in the 2nd Annual Haunted Mansion Tribute show, which ran from June 4th through July 3rd, 2011, at the Parlour Gallery at Halloween Town in Burbank, California.

I was unable to attend, but my friend, the talented Dave Lowe did and took a bunch of photos on my behalf, which I now share with you. Not only did it reveal to me that there was some great work in that show, but that Halloween Town has some great atmosphere as can be seen in the photo above which shows the Parlour Gallery leading into the exhibit space proper. It also led to another mystery which remains unsolved.



Above: Another view of the Parlour Gallery with the Haunted Mansion show seen in the gallery in the next room.



Above: Two views of the Haunted Mansion tribute show. It is very nicely presented. My piece can be seen on the back wall in the second photo.


Above: Two pieces by Zombienose, a piece by Matthew Hideousboi, and my piece.


Above: Matthew Hideousboi's fantastic Caretaker bust with my collage of the singing busts above it.



Above: "The Singing Busts" that I made with cut paper. I had also submitted a dyptich to the show, but because of space limitations, was not included. It's now on display, and for sale, at Halloween Town.


Above: Another look at Matthew Hideousboi's "The Caretaker" sculpt




Above: Three views of Zombienose's two sculptures, "The Quartet" and "Liberoachi". These were my favorite pieces in the show. I was honored to share a wall with such great work.


Above: "Death of Animation" by The Creep


Above: "A Swinging Waltz" by Dan Szczepanski


Above: Three by Eric Pigors


Above: "As Long As We Both Shall Live" by Queenie


Above: "The Gorgon" and Mr. Grins by William Basso


Above: "Hatbox" by Darren Frydendall, 2 creations by Curioddities and "The Real Hitchhikers of Annaheim" by Frank Dietz


Above: "Hitchhiking Ghost" by Dienzo



Above: A pair of paintings by Bob Lizarraga






Above: Two by Abigail Larson


Above: Three by Noah K


Above: "Supernatural Structures & Erie Engineering" by Richard Terpstra


Above: "From Regions Beyond" by Dan Szczepanski


A video as well as a virtual gallery of all the works that here included at the show can be seen at the Parlour Gallery Website.

Thank you, Dave Lowe!

Sunday, July 10, 2011

Crazy 4 Cult 5 Art Available For Viewing


Scott Campbell's  Easy Rider inspired piece, "The Road" is one of my favorite pieces from the current "Crazy 4 Cult 5" show at Gallery 1988 in Los Angeles.  Gallery 1988 has posted all of the art from the Crazy 4 Cult 5 show now available for viewing and purchase, so go take a look.

Friday, July 08, 2011

always first quality


Here's the piece I did for the Crazy 4 Cult 5 show which opens tonight at Gallery 1988 on Melrose in Los Angeles. The piece is called "always first quality" and is based on Dawn of the Dead (1978). It is a cut paper collage.

If any one attends the opening and takes pictures, please pass them along to me, since I can't be there.



   

Crazy 4 Cult 5 Opens Tonight




The Crazy 4 Cult 5 show at Gallery 1988 opens tonight from 7-11pm  at Gallery 1988 on Melrose Avenue (right next to Golden Apple Comics). It's a huge show themed around cult movies with 100 artists represented. Among them is myself and my cut paper collage piece based on Dawn of the Dead (1978). The show runs through July 30, 2011. If you can't make it in person check the Gallery 1988 website in a couple of days to view the artwork. There will also be a book signing on Sunday by many of the artists for the Crazy 4 Cult book which features art from previous incarnations of this annual show.


Thursday, July 07, 2011

From the Archives 12



Here's something from the dawn of time, or at least April 1996. This is the one issue of Daredevil I wrote where my instructions were to make Matt Murdock/Daredevil lighter in tone, which made him essentially Spider-Man. I don't know if that lighter condition of his lasted longer. At the time I wasn't reading a lot of comics. Marvel editor, James Felder invited me in to do this. I don't recall the circumstances, but at the time I wrote a number of fill-in issues for Marvel because I was known as someone who could come in at the last minute and deliver a decent story fast. Because of this my memory regarding these issues is pretty lacking (as evidenced in this 2001 interview with me for Man Without Fear). Shawn McManus provided the lovely art.

It was one of the last things I wrote for Marvel. I ended up leaving because this was during the time that Marvel was going through a lot of turmoil with bankruptcy and changing ownership, including a time where Toy-Biz was dictating what characters could be used in stories based on which action figures they had scheduled to produce. This was what got me to leave them. No list was made available of which characters could be used. You simply had to pitch a story, which was then run by them for approval. it was too much work with almost no return.

Monday, July 04, 2011

Ask Me Anything #11


Even though the first Monday of July falls on a holiday, I'm still fielding questions to be answered throughout the month. Whether you want to know something about Xombi, Static Shock, or some entirely different project I've worked on, what I think about a particular book, movie, person or type of food, or anything else that crosses your mind, here is your opportunity.

Head down to the comment section and post your question. I'll either post my answer in the comment section as well, or answer it in a special post all its own sometime later in the month.


Please take the time to view the previous questions so that we don't wind up with a lot of repetition. You can see the previous questions by visiting Ask Me Anything  #1#2 ,  #3#4#5#6 , #7 , #8#9 and #10.  Answers not found following the questions can be found in the archives section for each associated month.

Now ask away.

Happy 4th of July



I hope that all of my fellow Americans have a safe and fun holiday celebrating Independence Day.

Sunday, July 03, 2011

Final day of the Haunted Mansion tribute show


Today is the final day to see the Haunted Mansion Tribute Show at the Parlour Gallery at Halloween Town in Burbank, CA.

Thanks to Dave Lowe for taking a whole bunch of photos of the show (including the one above) which I will post here in a few days. While two pieces of mine were supposed to be part of the show, the only one on display is "The Singing Busts" which can be seen in the corner above the sculpted bust of the caretaker in the above photo.  My inquiries as to what happened to my second piece and why it wasn't included have gone unanswered by the curators of the show.

Friday, July 01, 2011

Scott McDaniel and I Talk about Static Shock



There wasn't a lot we could reveal at this point, but Scott McDaniel, my storytelling partner, and I discuss our work on Static Shock with Josie Campbell at CBR which you can read here